不忠诱罪

八路军教导员王金执行锄奸任务失败又遭叛徒诬陷，被组织审查。王金凭着对党的忠诚和坚强的意志率领这些身份复杂、性格迥异的人最终组成了一支神秘的队伍，出生入死、历经艰险，突破重重险境，重新汇入抗日洪流，最终完成了锄奸任务的故事。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　胡家庄年味渐淡，寒暑异常，舞狮少年罗川跳脱飞扬，异想天开，梦想把舞狮技艺发扬光大，却常常弄巧成拙，所到之处鸡飞狗跳，被村民视为“扫把星”，是村长胡长礼眼中的“危险分子”。年兽小五意外降临人间，大闹村庄，勾走了传家宝——狮头。罗川为找回狮头，和下凡捉年兽的鼠仙阿细相识，两人逐渐发现年兽并不可怕，可以和人类做朋友，但胡长礼爱村心切，被噬灵妖蛊惑，遁入疯魔，制造了一场针对年兽的阴谋，最终罗川和阿细联合村民，打败了噬灵妖，唤醒了胡长礼，胡家庄重归热闹，众人欢欢喜喜迎接春节到来。

　　《幸存者》讲述了十亿年前，外星异种来地球，进行各种生物培育，因为地壳运动剧烈，被火山岩浆淹埋。荒凉的北极科学探测站内，正欢呼石油的到来，钻台无故断电、矿井喷出神秘的胶体、员工被大卸八块……顿时失去控制，当站长亚当、凯特等反应过来，并组织起武装防卫时，95%的人们成了无辜冤魂，血肉模糊、脑髓迸射；不可抗力的人类浩劫就此爆发，从北极向全球疯狂蔓延……